Monday, January 4, 2021

"QUEEN MARY'S GARDEN" © 2019 - Blocks 41, 42, 43

 


Mary Queen of Scots lived with the French court from the age of five until her marriage at sixteen to the younger Dauphin, Francis II.  She learned languages and studied history, literature, and the Masters.  In addition, her course Scottish dialect was cleaned up, French became her main language, and she learned riding and refinements such as embroidery.

Growing up in the Royal nursery allowed fun and friendship with other royal children in addition to her betrothed.  Marie de Guise, Mary's mother, was from a powerful family in the French court.  

The young queen's mom was back in Scotland, ruling as Mary's Reagent.  Mary's de Guise uncles were involved in her education and discussions of politics, morality, history of the region, and the ties between France and Scotland.

Queen Pineapple


Morello Cherry

Spring Starflower

Nine more blocks to go!  Then it will be all border birds, all the time, with two or three fun elements inserted to keep the birds company.

Happy, Happy New Year to all!

In stitches,
Teresa 
🎉




Thursday, December 31, 2020

"QUEEN MARY'S GARDEN" © 2019 continues - Poop-poop-dee-poop!

 


Let's talk about sanitation in the time of Mary Queen of Scots.  It's the last night of a crappy 2020, so what could be more appropriate?

(This subject is mentioned in at least two of the reputable books I am using as Mary Queen of Scots reference material, so I believe the validity of the subject is unreproachable.)

Castles and great houses, just like the more humble houses of their subjects, had no running water, no indoor plumbing.  Buckets of water were hauled to the castle/house for cooking, bathing, laundry, dishwashing, and what general cleaning was attempted.  And if you wanted a warm tub bath, kettles had to be heated and hauled.

Outdoor privies were not practical at a castle, and certainly the climate of Scotland made their use unpleasant for the humblest of abodes.  The use of an indoor chamber pot was the norm for the  middle and upper classes and had to be emptied.  It was personal, in the room, and a habit that was hard to change when newer, updated offerings were offered.

Also, the upper class members using a chamber pot were not responsible for emptying its contents, so did not have the motivation to try something unfamiliar.

In the 16th century this was often out a window.  Some castles had cesspools below a certain window for disposal.  These would fill and need to be dug out from time to time.  In cities and towns, emptying would be out a window, and often next to the street where people would be walking.  Sidewalks were sort of gutters, and these would overflow...especially in rain.

Oh, my shoes!

In Renaissance Scotland, the housewives threw their chamber pot contents and slops out the windows with the cry "Gardy Loo!" (This was evidently derived from the French "Gardez l'eau," meaning "look out for the water!")


Unfortunately, the sound of the cry and the discarded material often arrived simultaneously. Woe to the one who looked up to see what was coming. It is believed that this may be the origin of the British term "loo" for a toilet.

Royal chamber pots were much fancier, more like chamber chairs or stools.



Oh, my skirts!

Castles and manor houses were generally equipped with garderobes that had stone or wooden seats above a shaft within the pit that had to be cleaned out at intervals.






As a result, castles and great houses, with many residents and guests, had terrible sanitation problems.


From time to time, everyone was moved from one castle to another for the purpose of cleaning and airing.  Can you imagine?  As the waste capacity of the castle would reach full accommodation, people were less careful of where they took care of their bodily functions.

There was a very high rate of infant mortality at this time.  Eventually a connection was made between filth and illness complaints, such as cholera.  

After outdoor pits and pools were emptied/drained, stone floors and corners swished out with buckets of water and brooms, and shear length of uninhabited time, everyone was moved back.

Maybe this is why there were so many castles and great houses per royal family.  

Perhaps this explains so many castle ruins...some were simply impossible to keep clean over time or were initially built in too wet an environment to deal with waste water.  

Proximity of human waste may have even ruined the quality of fresh water.

Maybe as sanitation improved, it was not practical to keep up so many different homes, especially the ones not situated to make sanitation adequate..



Just when I fantasize about the 1500s and the ability to sit around all day and stitch, I uncover another unpleasant factoid.

Stay safe out there and keep each other safe.  Here's hoping 2021 will be a better year!

In stitches,
Teresa
😉

Tuesday, December 22, 2020

getting excited

(Yet another unposted draft; not sure where my head was in 2013.)

Ooo...I am beginning to get excited about putting the blocks together!

Yes, I do have 16 blocks finished, which is the magic number I need for the symphony quilt.  But I will not use three of the finished blocks in this particular quilt because they are more general: the lyre and both clef blocks.  They will be added to another block to make a smaller wall hanging containing 4 blocks.

I have my woodwind section filled: oboe, flute, clarinet, and bassoon.





I have my brass section filled: trumpet, French horn, trombone, and tuba.



I have my string section finished: violin, viola, cello, and double bass.




I have my piano finished (my favorite solo concerto instrument).













That leaves three blocks, which are all in progress simultaneously.

Yahoo!

In stitches,
Teresa  :o)

Fine-tuning the woodwinds...

(Another un-posted draft from 2013...good grief.)

Clarinet before fine-tuning...

Clarinet after fine-tuning...

Oboe before fine-tuning...

Oboe after fine-tuning...

The fine-tuning went so well with the strings, that I've been doing it with the four woodwind blocks.  Outlining the keys really highlights the detail of the keys.

In stitches,
Teresa  :o)

Embroidery outlining adds definition...

(Another draft from the past.  I forgot to post it in 2013.)